By Laurence Sterne
A Sentimental Journey is a singular and not using a plot, a trip with out a vacation spot. It files the adventures of the amiable Parson Yorick, as he units off on his travels via France and Italy, relishing his encounters with all demeanour of guys and women-particularly the beautiful ones. Sterne's story quickly strikes clear of the narrative of go back and forth to turn into a chain of dramatic sketches, ironic incidents, philosophical musings, memories, and anecdotes; sharp wit is blended with gaiety, irony with soft feeling. With A Sentimental Journey, in addition to his masterpiece, Tristram Shandy, Sterne solid a really unique kind and proven himself because the first of the stream-of-consciousness writers.
This new Penguin Classics version gains an advent that discusses the unconventional relating to Sterne's different writing and areas it in the context of "sentimental" literature. additionally incorporated are a chronology, feedback for additional studying, and entire explanatory notes.
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Extra info for A Sentimental Journey (Penguin Classics)
Press 1990. : Einführung in die Ästhetik. Munich: Fink 1995. The most helpful works contributing to a general history of aesthetics are the following: Michael Titzmann: Strukturwandel der philosophischen Ästhetik: Der Symbolbegriff als Paradigma. Munich: Fink 1978; Georg Jäger: Das Gattungsproblem in der Ästhetik und Poetik von 1780 bis 1850. In: Zur Literatur der Restaurationsepoche, ed by Jost Hermand and Manfred Windfuhr. Stuttgart: Metzler 1970, pp. 371À404; Carsten Zelle: Die doppelte Äs- 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 1.
32 26 27 28 29 30 31 32 thetik der Moderne: Revisionen des Schönen von Boileau bis Nietzsche. Stuttgart: Metzler 1995. See Carl Lemcke: Populäre Aesthetik. Mit Illustrationen. Leipzig: Seemann 1865 (2nd ed. 1844; 3rd ed. 1870, 4th ed. 1873, 5th ed. 1879, 6th ed. 1890). Lemcke is in favour of a rather classical poetics; e. g. he attacks the 17th-century poet Daniel Caspar von Lohenstein for using too many tropes and figures and highlights the value of simple speech (Lemcke 1865, p. 515, 517). Konrad Lange: Das Wesen der Kunst: Grundzüge einer realistischen Kunstlehre.
Suhrkamp 1989; Andrew Bowie gives an inspiring insight into the ambivalence of the concept of ‘subjectivity’ in the principal aesthetic sources from Kant to Nietzsche. See Andrew Bowie: Aesthetics and Subjectivity: From Kant to Nietzsche. Manchester, New York: Manchester Univ. Press 1990. : Einführung in die Ästhetik. Munich: Fink 1995. The most helpful works contributing to a general history of aesthetics are the following: Michael Titzmann: Strukturwandel der philosophischen Ästhetik: Der Symbolbegriff als Paradigma.